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Recent credits include: The Unreturning for Frantic Assembly; Death of a Salesman for the Royal Exchange; Pity for the Royal Court; The Tempest for the Donmar Warehouse; The Last Testament of Lillian Bilocca for Hull City of Culture; The Kid Stays in the Picture for Complicité at The Royal Court; The Encounter (co-designed with Gareth Fry) – Winner of Special Tony® and Drama Desk Awards for Sound Design, also winner of the Helpmann Award® for Best Sound Design for Complicité; Beware of Pity for Complicité and the Schaubühne Theatre Berlin; Twelfth Night for the Royal Exchange, Manchester; Am I Dead Yet? and The Noise (the latter co-designed with Gareth Fry) for Unlimited Theatre; Andrea Chénier for Opera North at the Leeds Grand Theatre; SUN for the National Art Service; Space Junk for Gameshow at the Lyric, Hammersmith;Farragut North at the Southwark Playhouse. Credits as Associate Sound Designer include Oresteia at the Trafalgar Studios; 1984 for Headlong at the Almeida and Playhouse Theatre; Complicité’s productions of The Magic Flute with ENO and Lionboy and Hamlet for the RSC. Other credits include: Katie Mitchell’s productions of The Forbidden Zone at the Salzburg Festival and Night Train in Cologne (as Assistant); and the 2012 London Olympics Opening Ceremony (as Assistant Soundscape Designer).